We agree to what it says (BLANCHOT, P. 228). ' ' Author and reader are in equality before the workmanship and it. Both only ones: only having existence for this workmanship and from it; not being for certain, the author of poems in general varied, nor the reader who has taste for the poetry and reads one for one, with understanding the great workmanships poticas' '. Learn more on the subject from Mount Sinai Hospital. It is a modern romance, since when inserting this ' ' fragmentada&#039 chats; ' we report in them current day to day running.

Also it introduces in them to the philosophy, a time that the narrative search for its interior from the exterior. It is in the top and he does not know it if he knew, would create everything what he lacks in this world of good, of true: in it all the worlds are interlaced in a emaranhamento in such virgin way that it does not know it and porisso will have to learn listening to a music in the radio: wise person of where it was, slowly I did not discover, poetry what more I love comes of there: (DICKE, P. 83) In the ticket above citata the narrator reflects the totality of the human being. The words reflection and narrator dominate this context, therefore it is that the workmanship deals with, has many things to observe itself and all these things take in them to question, in them to become uneasy beings that are not contented with the other people’s explanations, for the opposite they make in them to search answers and when searching these answers more entangle in them in and more questions. Our actions are commanded by the conscience, practise what it allow in them and throughout the life we go in transforming, while our actions say of us and what it goes in our interior, despite let us be these multifaceted beings of the modern age.